- Introduction
- Some studies and their results.
- Major theories of television violence.
- Aristotle and the theory of catharsis.
- Duty of parents.
- Effects on children and adults Vis a Vis violence.
- Role of writers and producers.
- Advocates of media violence.
- Conclusion.
Is societies’ violence the media’s fault? This is the question that has been asked since before television was in every house. Of course there are the different types of media today ranging from newspapers, to on-line reports and stories. There have been arguments about this issue, and over 3,000 studies conducted in the world. Unfortunately there isn’t one single result; there is only an array of supposed is only in array of supposed answers to this undying question.
University of Michigan (USA) psychologists Dr. Leonard Eron Dr. Rowell Hussmann conducted a study, which continued for decades. This was conducted beginning in1960. They took 800 eight-years-old and found that children who watched many hours of violent tended to be more aggressive in the playground and the classroom. They checked back with these kids 11 and 22 years later. They found the aggressive eight-years-olds grew up to become even more aggressive. They testified before congress in 1992 stating, Television violence affects youngsters of all ages, of both genders, at all socioeconomic levels and all levels of intelligence. The effected is not limited to children who are already disposed to being aggressive and is not restricted to this country.”
David Phillips, a scientist at the University of California in San Diego conducted a study on prize-fights on television. He thoughts of this topic, because he felt there wasn’t enough research being conducted on the copycat violence. He found that after prize fights on television, there would be about a 10 percent increase in murders for a few days afterwards. He quoted, “It seems to be the case that the kind of person killed just after the prizefight is similar to the person beaten in the prize fight.”
There are four major theories of television violence. The “arousal” theory, the “social learning” theory, the “disinhibition hypothesis,” and the “catharsis hypothesis”. These four hypothesis/theories are old and new conclusion to the question at hand. It is not able to see that some of these theories were stated as early as 1961. Most would have to disagree with these theories just because of the age of their births, but to most people’s surprise they still hold in the 21st century.
The arousal theory is basically self-explanatory. This was theorized by P.H. Tannenbaum in 1975. He said exposure to television violence increases excitation, or “arouses” viewers. This is also being found in the recent studies, which shows the progression in the media’s will to change.
The “social learning” theory was described by Dr. Bandura. This theory says ways of heaving are learned by observing others, and that this is a major means by which children acquire unfamiliar behaviour will depended at least in part on factors other than acquisition. Perfect example of this theory was when the murders occurred after the prizefights.
The “disinhibition hypothesis” was L. Berkowitz’s investigation. This hypothesis explains that television violence in certain circumstances will result in increased interpersonal aggression because it weakens inhibition against such behaviour.
The final theory, “catharsis hypothesis” was written by S. Feshbach. This theory explains that under certain conditions exposure to television violence will reduce subsequent aggression. What this is saying is that if someone sees a fantasy on TV, or now with technology, entertains themselves with virtual reality, that fantasy is fulfilled, which makes them not feel they have to do that in real life.
So many people have discussed the topic of media effecting society, from Aristotle to the present day researchers. It has always been a question, but never as needy for an answer as now. Hopefully the government has some say in this soon, so the drama of centuries will finally be over. But that probably won’t occur anytime soon.
Aristotle was a big supporter of “catharsis”. He believed that the audience became psychologically involved with the story on stage, even though they knew it was 100% fiction. He felt when aggression climaxed with the actors, there was a “catharsis” in the audience, which was pleasurable to experience to experience and the audience “cleansed, uplifted, and less likely to act violently among themselves.”